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For a long time, architecture was understood as an essentially individual activity, dependent on the figure of a creative genius and centered on the ability to solve problems through drawing. Over time, this image began to fade. The protagonism once concentrated in a few names reached its peak during the era of the starchitects and gradually became distributed among offices, collectives, and multidisciplinary teams. Today, architects are expanding their boundaries into other fields such as gastronomy, music, design, and the corporate world, applying spatial thinking to address challenges of various kinds. As social, environmental, and political crises deepen, the role of the architect continues to evolve from a solitary author to a mediator, activist, and collective agent of transformation. This shift reflects an ethical awakening and a recognition that design, regulation, and care are inseparable dimensions of contemporary practice.

Zayed National Museum, the national museum of the United Arab Emirates and a major anchor of Abu Dhabi's Saadiyat Cultural District, has opened to the public. The project was awarded to Foster + Partners following a 2007 design competition, with construction commencing the following year. Its inauguration marks a significant moment in the UAE's cultural development, coinciding with a year that saw the opening of teamLab Phenomena Abu Dhabi and the Natural History Museum Abu Dhabi, as well as the reopening of Al Ain Museum, broadening the region's institutional landscape.

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The Canadian Centre for Architecture (CCA) recently launched a new research project and institutional collaboration with M+ in Hong Kong titled How Modern: Biographies of Architecture in China 1949–1979. The project unfolds through an exhibition presented in the CCA's Main Galleries from 20 November 2025 to 5 April 2026, a series of commissioned films and oral history videos by artist Wang Tuo, online editorial content, public programming, and a companion book co-published by the CCA and M BOOKS. This collection of content seeks to reframe architectural histories of modernism in the first three decades of the People's Republic of China, revealing how design operated under shifting ideologies and socioeconomic pressures through the perspectives and experiences of architects, institutions, and residents. The project aligns with the CCA's ongoing interest in producing new readings of modern architecture across different sociopolitical contexts and geographical frameworks, including Architecture in Uniform: Designing and Building for the Second World War (2011) and Building a new New World: Amerikanizm in Russian Architecture (2020).

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Every year on 3 December, the International Day of Persons with Disabilities brings renewed attention to the need for inclusive, equitable environments, both socially and spatially. The 2025 theme, "Fostering disability inclusive societies for advancing social progress," highlights how persistent barriers in employment, social protection, and access to services continue to affect more than one billion people worldwide. Within this broader context, the built environment plays a decisive role: architecture can either reinforce exclusion or open pathways toward autonomy, dignity, and participation in daily life.

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The quintessential symbol of Manhattan, Waldorf Astoria New York officially reopened for the public this year after an extensive renovation. Over its long history, the property has undergone numerous transformations, from its 19th-century beginnings to the modern landmark that stands between Park Avenue and Lexington Avenue.

Reimagining a building that pioneered modern hospitality—a jewel in New York's skyline—posed a challenge that required close collaboration between preservationists, 3D visualizers, architects, and designers. Together, they worked to preserve its protected architectural heritage while meeting contemporary expectations for craftsmanship and comfort.

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